Founded In    2006
Published   3/year
Language(s)   English
     

Fields of Interest

 

literature, culture, the arts and "American Studies," history, social sciences, and international relations

     
ISSN   1991-9336
     
Affiliated Organization   European Association for American Studies
     
Editorial Board

The Director of this publication is the President of the European Association for American Studies, Professor Philip John Davies, The Eccles Centre for American Studies at the British Library, London davies@eaas.eu.

Editor for literature, culture, the arts and “American Studies”: Marek Paryż (Poland)

Associate editors

John Dumbrell (Great Britain)

Andrew Gross (Germany)

Roxana Oltean (Romania)

Jean-Yves Pellegrin (France)

Editor for history, social sciences and international relations: Jenel Virden

Book Reviews Editor: Theodora Tsimpouki (Greece) tsimpouki@enl.uoa.gr

Editor for web presence: Cara Rodway (Great Britain)

Submission Guidelines and Editorial Policies

EJAS publishes both solicited and unsolicited articles. The editors also welcome proposals for special issues.

All submissions should be addressed to the Senior Editorial team in the first instance: Dr Marek Paryż (m.a.paryz@uw.edu.pl), Dr Jenel Virden (J.Virden@hull.ac.uk) and Dr Cara Rodway (cara.rodway@bl.uk).

EJAS publishes articles under the Creative Commons attribution-noncommercial license. The full terms and conditions of the license can be viewed athttp://creativecommons.org/licenses/by-nc/2.5/.

Articles must be in English. Contributions should be between 5,000 and 10,000 words, unless previous arrangements have been made with the editors. The article should be preceded by a short abstract. Bibliographical references and general presentation should follow the MLA style sheet for literature, culture and the arts, and the Chicago Manual of Style for history, social sciences and international relations. In-text references should be indicated in the typescript, between parentheses, by giving the author’s surname followed by the year of publication and a page reference if necessary.

All articles will be made anonymous and handed over to two referees whose reports shall be synthesized by the editorial team and provide the basis for acceptance or rejection. In both cases the author shall be given immediate notice. Reports will be provided to authors upon request. Even when an article is accepted, the editorial board reserves the right to ask for changes, both in form and scope.

     
Mailing Address
     

Marek Paryż (m.a.paryz@uw.edu.pl)
Jenel Virden (J.Virden@hull.ac.uk)
Cara Rodway (cara.rodway@bl.uk).

Contact person responsible for updating content for ASA:
Roxana Oltean (roxana.oltean@upcmail.ro)

European Journal of American Studies

EJAS is the official, peer-reviewed academic journal of the European Association for American Studies, a federation of 21 national and joint-national associations of specialists of the United States (http://www.eaas.eu) gathering approximately 4,000 scholars from 27 European countries.

EJAS aims to foster European views on the society, culture, history, and politics of the United States, and how the US interacts with other countries in these fields. In doing so the journal places itself firmly within the continuing discussion amongst Europeans on the nature, history, importance, impact and problems of US civilization. As part of this task, EJAS wants to contribute to enriching the contents, broadening the scope, and documenting the critical examination of “American Studies” in and outside of the United States. EJAS welcomes contributions from Europe and elsewhere and endeavors to make available reliable information and state-of-the-art research on all topics within its broad field of interest. As a matter of policy, the journal will pay particular attention to objects, phenomena and issues less documented or less often debated in the United States, as well as to innovative cultural modes and the diversity of reception of United States culture abroad. Associated with this outlook, it welcomes submissions that elaborate and renew critical approaches, paradigms and methodologies, and that express varied and pluralist views.

While intended for the entire American Studies community, EJAS aims in particular to provide space for the rapid publication of quality scholarship by doctoral and post-doctoral researchers. The journal hopes to constitute a genuine forum for European Americanists of all generations, national origins and disciplinary affiliations.

 

» Visit Journal Web Site

EJAS 9.2 Summer 2014, Volume 9, Number 2

Old Nick Crossed the Mississippi: The Figure of the Devil in Late Cold War Era Novels of the American West


The figure of the devil - employed time and again by Americans as a means of culturally construing the perceived enemy Other, as W. Scott Poole illustrates in his study Satan in America - appears with great frequency within the corpus of the literature of the American West. This essay focuses on Western regional novels of the late Cold War period (1968-1991), analyzing their manner of using the devil figure to variously challenge and/or reinforce mainstream conceptions of evil and come to terms with the meaning and direction of America at a time of crossroads and vast social transfiguration. It argues that Stephen King's The Stand (1978) employs the satanic Randall Flagg to interrogate what is taken as an intrinsic strain of evil running through America's history and emerging in especially pointed form in the social unrest and malaise of the late 1960s and 1970s. Cormac McCarthy's Blood Meridian (1985), on the other hand, attributes Mephistophelean attributes (among others) to its antagonist Judge Holden as a means of dramatizing how barbarity, destruction, and expenditure are inexorably intertwined with the values and goals of civilization, while Ishmael Reed's Yellow Back Radio Broke-Down (1969) reconfigures and repurposes the devil figure, drawing on the cultural valences of pagan male fertility figures and the Africana traditions he elsewhere conceptualizes as "neo-hoodoo" to wage a counter-cultural attack upon the pillars of American and Western Christian society.

"To Sacrifice One's Intellect Is More Demonic than Divine": American Literature and Politics in Left Behind: A Novel of the Earth's Last Days


The article focuses on the cultural and political implication of the recent publishing sensation from two fundamentalist Christian ministers-turned-writers: Tim LaHaye and Jerry B. Jenkins. Their sixteen-book Left Behind Series (1995-2007) has by now sold close to eighty million copies, crossing over from the evangelical margins to the bookseller's mainstream. Focusing by and large on the first novel in the series, the article analyzes its narrative and political logic in the context of the rise of apocalyptic imagery in American culture and public life.

Urban Spaces and Architecturally Defined Identity in Nathanael West's Miss Lonelyhearts

Nathanael West's 1933 novella, Miss Lonelyhearts, depicts a New York City that defines its inhabitants through the architectural structures enveloping them. Throughout West's narration, spaces and places within the city become social critiques, as these locations represent what Henri Lefebvre describes as abstract spaces: various spaces that are multifaceted in their functions due to their shifting -- and abstract -- relation with a larger environment. Fusing an analysis of space and the individual serves as a springboard for reexamining West's novella of place and space in the then modern metropolis of the 1920s. Locales within the narrative illustrate how modern public and private spaces detrimentally precipitate the psychological downward spiral of the protagonist. This article argues that by scrutinizing the physical setting in the narrative we will illuminate a new understanding of the repressed, agoraphobic identity of the protagonist, Miss Lonelyhearts, and bring a fresh phenomenological interpretation to the demise of one of West's most complicated characters.

Americans and Climate Change: Transnationalism and Reflection in Environmental Writing


This article reads three American works of climate change life writing in order to examine how print culture in America is responding to growing awareness of the threat of global climate change. Engaging with Ursula Heise's work on American environmental writing, I argue against a binary conception of cosmopolitan and provincial responses to this threat, seeking to show how ambitious individual reactions to climate change are complicated and enhanced by ways of relating and collaborating with other humans and other species.

Commerce and Sentiment in Tales of Barbary Encounter: Cathcart, Barlow, Markoe, Tyler, and Rowson


A number of American sailors were taken hostage by Barbary Corsairs and held as slaves in North Africa in the years following the Revolutionary War. The crisis would ultimately lead to open warfare, but many Americans were optimistic that international commerce and common sympathy might overcome religious differences. This essay sketches the history of the Barbary conflict and considers three fictionalized accounts of Barbary encounter as secular conversion narratives, two of the three demonstrating how even despotic slaveholders could learn to embrace commerce and sentiment. Peter Markoe's novel The Algerine Spy in Pennsylvania (1787), Royall Tyler's The Algerine Slave (1797), and Susanna Rowson's drama Slaves in Algiers (1794) suggest a certain openness to religious and national difference; however they are clearly about American concerns and, in fact, more committed to secularized Christian norms than their praise of common sentiment would suggest. In all three texts, Jews are excluded from the vision of common sentiment and made to symbolize what was cruel about commerce; it is my argument that they served as scapegoats for the American discomfort with its own failures of sentiment, evidenced most obviously by chattel slavery and the slave trade. These fictionalized tales of encounter hold up sentiment as the solution to all sorts of conflict. However, they also deploy sentiment, paradoxically, as a pre-biological marker of race, designating those beyond the union of sentiment -- Jews -- as somehow detached from the quality that makes people human.

Other Issues

EJAS 12.3 2017 Special Issue: Cormac McCarthy Between Worlds , Volume 12, Number 3
Summer 2017, Volume 12, Number 2
Summer 2017, Volume 12, Number 2
EJAS 12.1 Spring 2017 Special Issue: Eleanor Roosevelt and Diplomacy in the Public Interest, Volume 12, Number 1
EJAS 11.3 2016 Special Issue: Re-Queering The Nation: America's Queer Crisis , Volume 11, Number 3
EJAS 11.2 2016, Volume 11, Number 2
EJAS 11.1 2016 Special Issue: Intimate Frictions: History and Literature in the United States from the 19th to the 21st Century, Volume 11, Number 1
EJAS 10.3 2015 Special Issue: The City , Volume 10, Number 3
EJAS 10.2 Summer 2015 Special Issue: (Re)visioning America in the Graphic Novel, Volume 10, Number 2
EJAS 10.2 Summer 2015, Volume 10, Number 2
EJAS 10.1 Winter 2015 Special Issue: Women in the USA , Volume 10, Number 1
EJAS 9.3 2014 Special Issue: Transnational Approaches to North American Regionalism, Volume 9, Number 3
EJAS 9.1 Spring 2014, Volume 9, Number 1
EJAS 8.1 2013, Volume 8, Number 1
EJAS 7.2 2012 Special Issue: Wars and New Beginnings in American History, Volume 7, Number 2
EJAS 7.1 Spring 2012, Volume 7, Number 1
EJAS 6.3 2011 Special Issue: Postfrontier Writing, Volume 6, Number 3
EJAS 6.2 2011 Special Issue: Oslo Conference, Volume 6, Number 11
EJAS 6.1 Spring 2011, Volume 6, Number 11
EJAS 5.4 2010 Special Issue: Film, Volume 5, Number 4
, Volume 5, Number 3
EJAS 5.2 2010 Special Issue:The North-West Pacific in the 18th and 19th Centuries, Volume 5, Number 2
EJAS 5.1 Spring 2010, Number 5, Volume 1
EJAS 4.3 2009 Special Issue: Immigration, Volume 4, Number 3
EJAS 4.2 Autumn 2009, Volume 4, Number 2
EJAS 4.1 Spring 2009, Volume 4, Number 1
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