Founded In    1963
Published   semiannually
Language(s)   English
     

Fields of Interest

 

Literature, Culture, History

     
ISSN   1218-7364
     
Submission Guidelines and Editorial Policies

Manuscripts should conform to the MLA Handbook in all matters of style. Contribution on history should conform to the latest edition of the Chicago Manual of Style. HJEAS submits manuscripts to blind review of two reviewers.

     

Hungarian Journal of English and American Studies

Hungarian Journal of English and American Studies—formerly Hungarian Studies in English—a senior Central European journal, invites international contributions and aims to be a forum for Hungarian scholars working in the fields of literary and cultural studies concerning the English-speaking world, with marked emphasis on theory. Formal (until 1995) Hungarian Studies in English (ISSN 0209-6552); (until 1991)  Angol Filológiai tanulmányok (ISSN 0570-0973)

 

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The Voices of the English Renaissance, Vol. 11, No. 1

“Which Play Was of a King How He Should Rule His Realm”: Tudor Interludes Advising the Ruler


The Casket, the Ring, and the Bond: Semantic Strategies in Shakespeare’s The Merchant of Venice


The Ear as a Metaphor—Aural Imagery in Shakespeare’s Great Tragedies and Its Relation to Music and Time in Cymbeline and Pericles


The Reflected Tempest and Prospero’s “Calling Word”


An Interview with István Eörsi about Translation


Larkin and His Subversive Self: Philip Larkin: Subversive Writer


Conventional Voices and the Limits of Language in John Heywood’s A Play of Love


Voice, Inscription, and Immortality in Early Seventeenth-Century English Poetry


The Voices of Objects in Orlando Furioso and The Faerie Queene


Cross-Dressing the Tongue: Petrarchist Discourse and Female Voice in Queen Elizabeth’s Sonetto


“Indianized with the Intoxicating Filthie Fumes of Tobacco”: English Encounters with the “Indian Weed


His Master’s Voice: The Conjuring of Emperors in Doctor Faustus and Its Sources in the German Tradition


The “Piece of Work” and the “Quintessence of Dust”: The Elevation and Depreciation of Man in the Renaissance


Images of Passion, Rape, and Grief: A Comparative Analysis of Shakespeare’s Rape of Lucrece and Titus Andronicus